Seven-year-old Neon emerged as a mainstay in the hardscrabble domestic theatrical distribution business, where most new entrants fail or shrink to irrelevancy within a few years. Highlights of its short history include 2020 Oscar Best Picture winner “Parasite,” the Korean-language import; and also sassy ice skater drama “I, Tonya.” And this year, there's the sleeper horror … [Read more...] about Neon Stakes Out Distribution Turf
independents
YouTube Film Critic Makes Movie
A prominent YouTube critic has parlayed his online celebrity into crowd-funding a horror film that he directed and wrote, which received a prestigious fest play. Then, it was acquired by hot indie distribution Neon. Chris Stuckman, who amassed a staggering 2 million YouTube followers over 13 years for his film reviews/commentaries, is the director of supernatural drama … [Read more...] about YouTube Film Critic Makes Movie
Coppola Wants to Prove Hollywood Wrong on ‘Megalopolis’
Filmmaker extraordinaire Frances Ford Coppola is struggling with placating puzzled film critics, marketing an esoteric film to wide audiences and struggling for industry sales for his “Megalopolis.” The $120 million self-financed social commentary epic is in competition at the Cannes Film Festival in France, where Coppola hopes those problems will be solved by critical acclaim … [Read more...] about Coppola Wants to Prove Hollywood Wrong on ‘Megalopolis’
Film Marketer Banks on Crowd Funding
Emerging independent film company Legion M will test its crowd-funding capability to support the cinema release of a theatrical documentary on “Star Trek” icon William Shatner. The Shatner biography, “You Can Call Me Bill,” is a PG-13 rated documentary set for March 22 theatrical release. It’s Legion M’s first time going in-house for a cinema release. The documentary … [Read more...] about Film Marketer Banks on Crowd Funding
Young Adults Boost Specialty, Art House
The hardscrabble independent and art house segments of cinema are getting a lift from the young adult demographic, which is augmenting the traditional mainstay of older adults, according to a Hollywood Reporter story. Upmarket indie and art house have relied on middle-aged and older adults, or in industry slang the “elderverse,” so the recent influx of ages 18-49 young … [Read more...] about Young Adults Boost Specialty, Art House
Turmoil Opens Cinema to Gatecrashers
With the flow of mainstream Hollywood films interrupted by now-settled labor strikes and the pandemic, expect occasional unusual successes to surprise in domestic theatrical boxoffice. In an unusual occurrence, the Japanese animation import “The Boy and the Heron” was the No. 1 grossing movie at cinemas in the U.S./Canada for the Dec. 8-10 weekend with $13 million. This … [Read more...] about Turmoil Opens Cinema to Gatecrashers
Lightning Strikes Indie Hit ‘Freedom’
Child trafficking drama “Sound of Freedom” emerged as a surprise independent-caliber blockbuster, and is unwittingly a lightning rod for culture wars/political buzz. The $15 million production has grossed $66 In domestic boxoffice as of July 14 (10 days in release) and is rated PG-13. Most indie films would be happy with half that for final U.S./Canada boxoffice, and “Sound … [Read more...] about Lightning Strikes Indie Hit ‘Freedom’
Streamer Foreign Films Fill Indie Gap
The homegrown indie-film sector characterized by prestige movies is suffering, but moviegoers are getting relief. Similarly-crafted, high-minded movies are playing in the U.S. that streamers commissioned from overseas producers. A case in point is German-made World War I drama “All Quiet on the Western Front,” which Netflix gave a truncated U.S. cinema run. All the U.S. … [Read more...] about Streamer Foreign Films Fill Indie Gap
‘Terrifier 2’ Ignites Boxoffice
Independent horror film “Terrifier 2” is feasting on boxoffice as a moderate hit, benefiting because of pandemic disruptions of film supply. “Terrifier 2” has grossed a respectable $5.3 million in 17 days of domestic theatrical release, and that’s boffo for a horror/slasher film with a bare minimum national release. “While these grosses may seem low, don’t forget that … [Read more...] about ‘Terrifier 2’ Ignites Boxoffice
Indies Battle Cinema Marketing Costs
There’s an unfolding tug-of-war over independent films, defined as titles not distributed by Hollywood’s five major studios. Cinemas want to keep them on their silver screens while video streamers, which enjoy more-favorable economics, are siphoning them away. Distributors of indie movies generally want theatrical release, but cinema marketing costs are a perennial obstacle. … [Read more...] about Indies Battle Cinema Marketing Costs